Choices, Factions and Well-Written Romance (In a YA novel, no less!) - Review of "Divergent" by Veronica Roth

Title: Divergent

Author: Veronica Roth

Publisher: Katherine Tegen Books

Publication Date: May 3, 2011

Reading Level: 16 and up

Synopsis: (from Goodreads) -

In Beatrice Prior's dystopian Chicago, society is divided into five factions, each dedicated to the cultivation of a particular virtue—Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). On an appointed day of every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice, the decision is between staying with her family and being who she really is—she can't have both. So she makes a choice that surprises everyone, including herself. 

During the highly competitive initiation that follows, Beatrice renames herself Tris and struggles to determine who her friends really are—and where, exactly, a romance with a sometimes fascinating, sometimes infuriating boy fits into the life she's chosen. But Tris also has a secret, one she's kept hidden from everyone because she's been warned it can mean death. And as she discovers a growing conflict that threatens to unravel her seemingly perfect society, she also learns that her secret might help her save those she loves… or it might destroy her. 

Debut author Veronica Roth bursts onto the literary scene with the first book in the Divergent series—dystopian thrillers filled with electrifying decisions, heartbreaking betrayals, stunning consequences, and unexpected romance.

My Review:

In the library system where I work, you can always tell the really good books.  When brand new books come out, there's always at least a month or so where those books are constantly on hold and anyone who wants a turn just had better take a number.  The really good ones are on hold for a couple of months and the really, really, REALLY good ones are on hold for about six or seven.  "Divergent" came out in May 2011 and it still has a hold list rolling out the door and down the road.

But just because a book is popular doesn't make it good (naw - DUH!)  My readership is well aware the issues I had with "Uglies" and that is one that continues to be on the request list.  But, with the Christmas holidays coming up and my need for something on the "light and fluffy" side during this break (seeing as how I've been tackling "The Wheel of Time" series the past two months, most anything else would qualify as light and fluffy by comparison), I decided to give "Divergent" a shot.

I will be as upfront about this as I can be - "Divergent" gave me a distinct "Uglies" vibe about halfway through the book.  Could I point to anything specific?  Not really.  Maybe it was the aspect of teenagers teaching teenagers how to do stupid things (like zip-lining down a skyscraper for the fun of it? Yeah, that's an "Uglies" thing).  It could be the Dauntless training Tris and Co. have to go through, but "The Hunger Games" did something similar and it didn't bother me there (even though the Dauntless training is more or less a period of "Yeah, we know you're going to be accepted into Dauntless - when is stuff going to start happening?") However, that feeling didn't last (Thank Gallifrey) and "Divergent" turned out to be much better.

One thing I enjoyed about this book is that the important surprises were well-placed and were actually - well, surprising (hm... fancy that).  I was so impressed by one in particular that I'm not even going to mention it here because I'd like someone else to be surprised by it.  I will give you a hint - it's not the reveal that Four is Tobias (let's be honest - that one was telegraphed in by the end of chapter 6.  At least, I think it was chapter 6 - I don't remember specifics.  But don't get the impression that I was bothered by that).

Another thing - and this is something I harp on quite a bit, but I certainly can't be the only one who feels this way - I was so happy that there are no contrived and crappily-shoe-horned-in love triangles in "Divergent."  There was a moment where that could have happened, but thankfully Al bit the dust and Tris and Four are able to let their budding romance blossom as the plot progresses.  In fact, the Tris/Tobias pairing is one of my favorite things about this book specifically because there is very little drama around the relationship itself.  Oh sure, the both of them have their own issues and problems they deal with individually, but they kind of help each other through those problems and it's quite a joy to read.  It's one of the more better-written romantic relationships I've read in YA fiction in quite a long time.   

(That being said - Woe betide the story if some heretofore unknown trollop or he-man swoops in to make an unnecessary and idiotic love triangle.  This story has plenty of outward drama and conflict to create an enjoyable plot)

I have to talk about the ending a little bit because that was my favorite part of the story. Honestly! I'm not being snooty about it or anything.  The climax was one of the most satisfying things I've read in a while and I'll tell you why that is - it's because I could follow what was happening.  Many action-packed endings I've read have so much action and description going on that I can hardly tell who's doing what, where the characters are, who's died and who's on our side.  Roth kept this surprisingly simple and to-the-point without sacrificing any of the intensity or edge-of-your-seat-ness that makes a good climax.  Oh, and I'm quite pleased that Tobias didn't end up being captured by the Dauntless/Erudite/Fishbait faction so Tris has to spend all of the next book pining for him.

A note on the setting - the summary says that this takes place in a futuristic Chicago and perhaps it does, but the specific setting really doesn't matter.  I think there was one specific mention of a certain building in Chicago (and it shows how important that mention was that I don't remember the name of the building), but this could have taken place in the futuristic version of any city, really.  But if that's what Roth wants it to be, it's not a terrible bother.

Where would I set "Divergent" on my Sliding Scale of Excellent Dystopias? Since I just made that up, I would have to say it ranks with "Matched" - that is slightly below "The Hunger Games," but heads and above better than "Uglies" or "The Bar Code Tattoo."  Worth your time to pick up and certainly worth your time to finish so you can feverishly anticipate the next installment (titled "Insurgent" and due out May 2012).

Boffins, Beasties and Bum-rags - Review of the "Leviathan" trilogy

Another whole-series review? Well, dear readers, you deserve it.  And what a doozy of a series it is!

Titles: 1- Leviathan, 2- Behemoth, 3 - Goliath
Author: Scott Westerfeld
Illustrator: Keith Thompson
Publisher: Simon Pulse

Leviathan Synopsis (from Goodreads) -

Prince Aleksander, would-be heir to the Austro-Hungarian throne, is on the run. His own people have turned on him. His title is worthless. All he has is a battletorn war machine and a loyal crew of men.
Deryn Sharp is a commoner, disguised as a boy in the British Air Service. She's a brilliant airman. But her secret is in constant danger of being discovered.
With World War I brewing, Alek and Deryn's paths cross in the most unexpected way…taking them on a fantastical, around-the-world adventure that will change both their lives forever.

My Review:
I know I slagged off Westerfeld for his other-series-that-shall-not-be-named (and rightly so).  I was initially hesitant to read another one of his books because of how much I despised that other thing.  But my students at the time recommended this series to me and my sister said it was good and it was steampunk rather than dystopian, so I thought maybe a change of genre would be good.

And now, seven months after I began Leviathan, I can honestly say that this is one of the best series that I have read in a freakishly long time.  I don't think I have devoured a book - much less three of them - with such ferocity and enjoyment as I did these three.  Not since Harry Potter, where I gladly sacrificed sleep to read "just one more chapter," have I been so excited about a book.  And I get excited about a lot of books.  Seriously - I audibly SQUEE'd when I saw that Goliath was available at the library.  Since I started working there, I don't think I've been so careful to avoid accidentally reading a spoiler when I'm checking in a book.

This series takes place in an alternate World War I, which is an interesting setting for an author to go.  Most steampunk is in the late 1800s.  And honestly, if you want to do a war story, it seems like the easiest place is World War II.  But I applaud this move for several reasons - 1) It's a fresh topic to explore. 2) When I was growing up, I heard plenty about World War II and what that was all about.  But I seldom heard about World War I.  And, in my childlike mind, there must have been a One for there to be a Two.  Even the crappiest of sequels had to have an original to follow.  So I think it's great for there to be something for kids about World War I.  Even if it's not historically accurate (c'mon - they're traveling on an airship grown from a whale, for heaven's sake!) it might pique some kid's interest and want to learn more about that first conflict.

I've got to talk about the Darwinists and the Clankers, which are the two factions at war in this alt-WWI.  The Darwinists are the Allied powers - Britain, France, Russia - and they have the ability to build machines out of animals.  The Leviathan airship is pretty much a giant whale with bits of other animals genetically built in to the structure.  One of their weapons is a flechette bat, which is a genetically modified bat that will eat pieces of iron and the crew lets them out and they... well, they drop what they've eaten and it's like a little flying machine gun (don't think about it too much).  The Clankers are the Central Powers - Germany and the Austro-Hungarian empire - and their machines are metal machines, but bigger.

Oh geez - here's the picture from the endsheets of Leviathan. It's easier to understand:

Click to embiggen

Is it weird that I love how Russia is drawn as a giant rotting bear?

Another thing that made me love this series is the character of Deryn Sharp.  Dear Sweet Gallifrey - this kid has so much life and sarcasm and she is totally her own person.  I love how she is totally not worried about anyone discovering her secret (as long as she's careful and follows her own plan) she can be a midshipman on a naval airbeast and show up all the boys on the crew.  The best, I think, is when Dr. Barlow ("the lady boffin," as Deryn often calls her) comes aboard and Deryn isn't cowed by her authority, even though the Leviathan is charged with taking her to Istanbul as a scientific ambassador.  Even when Prince Alek gets thrown into the mix, Deryn holds her own and their friendship is believable.  I also love how Deryn doesn't make a big deal about "girls can do anything boys do" and that allows the story to flow and take shape without any sideshow preachiness to slow it down.  I mean, I was always one of those girls that wanted to beat the boys in sports and games and things like that, but that doesn't mean I want it shoved in my face every time I try to enjoy a good story.

I would be remiss if I didn't mention the absolutely gorgeous illustrations in this book.  When I finally got my copy of Goliath from the library, I was a bit miffed to see that the tech services folks had taped down the book jacket so you couldn't see the endsheet illustrations (I'll probably purchase this set for myself for Christmas - it is definitely worth owning.)  Keith Thompson does such an amazing job of creating scenes and characters and they add to the story.  As good as the narrative is, it's hard to picture a lot of this stuff when you're just reading the word that describe living airships and enormous metal clanking war machines.  The pictures are just a wonderful way to give the reader a good sense of place and how these things would look.  My favorite is the one in Leviathan where Deryn is flying on this big jellyfish-looking air balloon and the wind has blown her into the path of the Leviathan airship and the ship is just coming out of the clouds and it looks like a whale flying in the air.  If I could have that picture framed on my wall, then I would - it is that neat.

On a personal note - It's funny after having come back from a trip that took me to Vienna and Serbia, which are the two main places that got World War I going in the first place (and hearing so much about Nikola Tesla  in Serbia - and he turns out to be a complete loon in Goliath).  Now, I just have to add Britain to that list and I will be a satisfied little world traveler.

Speaking of Tesla - just because I can and because it's Back to the Future day - here's a video of Tesla coils playing the theme song from BttF -



Ah - nerds. Don'cha just love 'em?

As I look at this review thus far, I notice that I didn't give too much mention of Behemoth.  I will say that the second book was good - it just has the difficult task of being the second book in a trilogy.  By this point, the story has already started and it's not going to finish here.  The whole "Mr. Sharp is really a girl" plot continues on, as does Alek's continued hiding from the Clankers.  Their relationship grows to where it needs to be at the beginning of Goliath and the reader is constantly wondering when the heck is Alek going to figure out that "Dylan" Sharp is actually female (because you know that's going to happen at some point.  It always does).  But it's still interesting and enjoyable and Deryn and Alek are just a joy to follow, no matter what's going on in the rest of the story.

(Oh, and there's no crappily fabricated love-triangle that seems to be all the rage in YA fiction these days.  There is one moment in Behemoth where it comes close, but it mercifully skulks back into the shadows and lets the rest of the story move along in peace).

Bottom Line - I could gush more about these books, but then you wouldn't have time to go read them yourself (I haven't even mentioned how adorable Alek is through the whole series.  And that picture of him on the cover of Goliath? Da-yum). This trilogy more than makes up for Westerfeld's previous botched attempt at YA fiction.  Even without that hanging over his head, he deserves much praise for Leviathan, Behemoth and Goliath.  This just a fantastic story and anyone who enjoys steampunk or alternate history or even historical fiction will enjoy these books.

"Rage, Rage Against the Dying of the Light" - Review of "Matched" by Ally Condie

Title: Matched
Author: Ally Condie
Date: November 30, 2010
Publisher: Dutton Juvenile

Synopsis (from Goodreads) -
Cassia has always trusted the Society to make the right choices for her: what to read, what to watch, what to believe. So when Xander's face appears on-screen at her Matching ceremony, Cassia knows with complete certainty that he is her ideal mate . . . until she sees Ky Markham's face flash for an instant before the screen fades to black.

The Society tells her it's a glitch, a rare malfunction, and that she should focus on the happy life she's destined to lead with Xander. But Cassia can't stop thinking about Ky, and as they slowly fall in love, Cassia begins to doubt the Society's infallibility and is faced with an impossible choice: between Xander and Ky, between the only life she's known and a path that no one else has dared to follow.

My Review:
Before I begin my review, I have something to say: I want all of you book-summary-writing people to pay close attention.  No, even closer than that.  That's right - right into the computer screen...

ahem...

WRITE JACKET SUMMARIES THAT HAVE SOMETHING TO DO WITH THE ACTUAL PLOT!!

Seriously! The jacket summary makes Matched sound like it's the dystopian version of Twilight or just another version of Uglies.  If I were Ally Condie, I would take exception to those comparisons, because Matched has so many things that neither Twilight nor Uglies do not (starting off with interesting characters and a coherent plot).  Actually, if you want a decent summary of Matched that gives a good overview of the story, I would suggest the one on the Wikipedia page:

"For Cassia, nothing is left to chance--not what she will eat, the job she will have, or the man she will marry. In Matched, the Society Officials have determined optimal outcomes for all aspects of daily life, thereby removing the "burden" of choice. When Cassia's best friend is identified as her ideal marriage Match it confirms her belief that Society knows best, until she plugs in her Match microchip and a different boy’s face flashes on the screen. This improbable mistake sets Cassia on a dangerous path to the unthinkable--rebelling against the predetermined life Society has in store for her."

Jeez - some dork from Wikipedia can do your job much better than you can!! (or if you are that Wikipedia dork, why did you not do that better job in the first place??)  Marketing FAIL!

*deep breath* Okay, on to the review.

Just so you know, I listened to the audiobook of this because the wait line for the book at the library was horrendously long.  I don't have the actual book and searching for details in the audiobook is cumbersome (and my Google Fu is failing me), so some details will be fuzzy.  Sorry if that bothers you.

I have read reviews that Matched is basically an extended version of The Giver (which is one of my favorite books, period).  My response: Yes and No.  There are similarities to the Community in The Giver (the Society chooses your job, your mate, watches every little move you make and dictates when you will die).  However, Matched goes further than The Giver does - it explores the Society a lot more than The Giver does, even looking into different sections of the Society and its citizens much more closely.  This works in favor of Matched, because the main character is working things out on her own - she doesn't have a wise mentor like in The Giver. This is not a bad thing nor does it take away from the effectiveness of The Giver as its own story.  They are two very different stories set in similar circumstances (and written for very different audiences).  In fact, I would call Matched "The Giver meets The Hunger Games."  And you will hear no complaints from me on this.  This is what Uglies was supposed to have been and failed at.

Matched starts out with Cassia Reyes on the night of her Matching Ceremony.  She and scores of other kids throughout the country who have turned 16 in the past month have gathered in their respective City Halls where they will learn who the Society has Matched them with, based on genetic compatibility and the likelihood of such matches producing quality offspring.  This is genetic and societal engineering gone mental, but the book never says it outright.  Mostly because this is from Cassia's point of view and she doesn't have a word for this sort of thing. - the calories in the food are monitored as they are distributed, which means that the Society can and does give its citizens smaller portions if it chooses to do so (as it does to Cassia - SPOILER!)  But when Cassia gets her microcard with information about the lucky boy she's Matched with ...[insert jacket summary here].

So, the impetus for this story is that Cassia isn't sure who she's supposed to be Matched with.  But separate and apart from the only-for-teen-angst love triangle, the story also deals with the deal of Cassia's grandfather.  Now, I compare Grandfather in Matched to Uncle Iroh from Avatar: The Last Airbender (the animated TV show, not the movie).  Grandfather has been raised in the Society, but he also has the benefit of being among the first generations who lived under Society rule.  One imagines that he remembers a little of life before the Society (some details in the book led me to that conclusion) and he becomes a bit of a rebel.

The beautiful thing, however, is that Grandfather was very quiet about his rebellion.  Even his own family has no idea of the rules he has broken.  On his 80th birthday (which is the day that the Society decrees that all citizens must die - before they become too old and useless, you know), Grandfather gives Cassia a compact as her one allowed artifact and he shows her how to open a hidden compartment where he has hidden finds two outlawed poems - "Do Not Go Gentle Into That Good Night" by Dylan Thomas and "Crossing the Bar" by Alfred, Lord Tennyson.  She reads the poems and the words of those poems make her realize that she can think for herself (it doesn't happen overnight, but the process of her character development is AMAZING!  "Pants," Cassia is not).

Oh, by the way, there are only 100 poems allowed in the Society.  Also, there are 100 showings (which I think are supposed to be movies), 100 history lessons, 100 songs, 100 books, 100 paintings, etc.  Everything that didn't make the lists of 100 gets destroyed.  I don't know if Condie has made up the exact lists in their entirety, but the few examples from the story suggest that the 100 whatevers were chosen to placate and pacify the masses  and lead them to accept Society rule - not kick them up into a rage or anger them against the Society.  But the two poems Cassia finds in her compact do exactly that - she begins to rebel within her own mind and question everything she's known in her life.

For the most part, the love triangle takes a backseat to the main plotline (DEAR SWEET GALLIFREY, THANK YOU!)  The first third of the book is made up of Cassia learning from the poems Grandfather gave her.  For a long time, I forgot why the book was called Matched because Cassia spends so much time deciding if she will go gentle into that good night or if she'll rage against the dying of the light.  But then the boy she was faked-Matched with, Ky Markham, sees Cassia reading the illegal poetry.  Ky has his own set of unique problems (and a whole list of reasons why he shouldn't be Cassia's Match - which I'll let you, dear reader, discover when you read the book).  Cassia and Ky don't so much fall in love as they team up to teach each other about new words, learn how to create things and more or less become a couple of little rebels.  Seeing Cassia learn how to create words of her own is a fascinating scene and it makes me think about how lucky I am that I can do that all on my own.  And I think about in the past and the present who don't have that ability.  They are told what to do and what to think - whatever benefits the Society they live in.

Really, that's the whole horror of the Society - nobody has a choice.  Well, we all know that's the point of a dystopia.  But Matched one step further - it highlights the fact that nobody gets to create anything.  Everything from birth to death is mapped out for a person to follow.  It is the ultimate Cradle-to-Grave society.  Everyone has a place and if you step out of that place, there will be Consequences-with-a-capital-C.  Nobody will be remembered (unless they perfect that cloning thing - which I think is going to turn out to be a sham) and nobody has an impact on the world.  It's a collection of people living not for themselves but for the  Greater Good (tm - Hitler, Mao, Grindelwald) - working for the government machine and nothing else.

Bottom Line: If you want an engaging, thought-provoking, interesting dystopian story that's not as violent as The Hunger Games, then Matched is a great choice.  The next book in the series, Crossed, is due out this November.  My prediction is, where Matched was more cerebral and we spent most of the time with Cassia learning about her new paradigm, Crossed will be more action-oriented and physical.  I can't say too much without spoiling it more than I already have.

A Girl's Best Friend - Review of "The Princess and the Hound"

Title: The Princess and the Hound
Author:  Mette Ivie Harrison
Publisher: Eos
Publication Date:  May 1, 2007
Reading Level: 12 and up

Synopsis: (from Goodreads) –
He is a prince, heir to a kingdom threatened on all sides, possessor of the animal magic, which is forbidden by death in the land he'll rule.

She is a princess from a rival kingdom, the daughter her father never wanted, isolated from true human friendship but inseparable from her hound.

Though they think they have little in common, each possesses a secret that must be hidden at all costs. Proud, stubborn, bound to marry for the good of their kingdoms, this prince and princess will steal your heart, but will they fall in love?

My Review:
I picked this book up at a local independent bookstore and I hadn’t heard of it until I saw it there.  It looked interesting – also the synopsis proclaimed it as a retelling of “Beauty and the Beast,” which is one of my favorite fairy tales.

It was a little jarring to find that this book is not told from the Princess’ point of view, despite having her name in the title and a princess on the cover.  Now, it doesn’t always happen, but I figure that the character featured in the title would make an appearance in the first five chapters or so.  Not this time – this book is told from Prince George’s point of view.  The main plot of this story is that George was born with the forbidden animal magic, which just means that he can talk to animals in their own language (think Eliza from “The Wild Thornberrys”).  Having this power is akin to being a leper in this land, so the prince has been forced to keep this ability of his a secret his entire life.  His mother had the animal magic and she was “sent away” when George was a young boy (much the way your favorite pet dog was “sent away” while you were at school one day).

George eventually meets Princess Beatrice and becomes engaged to her as a matter of political advantage.  Beatrice does not go anywhere without her hound, Marit, and the girl has an odd relationship with Marit which reveals itself throughout the story (and had the synopsis not spoiled the plot, I would have been more surprised by that development).

I enjoyed this book a lot – until the story ended about fifteen chapters early.  I thought the main plot had resolved itself, but then was treated to another chunk of story about the political ins and outs of running this fairy tale country where animal magic people are discriminated against.  The developments themselves don’t bother me.  What bothered me is that this story. Takes. So. Long. To. End. I hoped that most of that was appendices or some other thing like that – nope, there was another ninety pages to slog through before the story reached its final conclusion.  And I was annoyed.  Not as much as when I read Uglies (because at least this conclusion made some sense), but enough.  There are two more books after this one and I may pick them up, but I’m not in any hurry to do so.

"What Angel Wakes Me from My Flowery Bed?" - Review of "The Faerie Path"

Title: The Faerie Path
Author: Frewin Jones
Publisher: Eos
Publication Date: February 1, 2007
Reading Level: 15 and up

Synopsis: (from Goodreads) –
Swept away into a court of magic and beauty, she discovers she is Tania, the lost princess of Faerie: the youngest daughter of Oberon and Titania. Since Tania's mysterious disappearance on the eve of her wedding five hundred years before, Faerie has been sunk in darkness and gloom. The courtly Lord Gabriel Drake, who Tania was once to marry, has found her and brought her back.

With Tania's return, Faerie comes alive again as a land of winged children, glittering balls, and fantastic delights. But Tania can't forget Anita's world, or the boy she loved there.

Torn between two loves and between two worlds, Tania slowly comes to discover why she disappeared so long ago. She possesses a singular magical ability and she must use it to stop a sinister plan that threatens the entire world of Faerie.

My Review:
I picked this book up after a patron came to the library looking for the second book in the series. I haven’t had much luck with faerie stories in the past, but this one looked good so I thought I’d give it a try. My main complaint about faerie stories is that the faerie characters are often written as these smug, arrogant, perfect people that I really can’t bring myself to like (note that I did not use a certain phrase that starts with “M” and rhymes with “ary Sue” because that term has been thrown around so much that it really doesn’t mean anything anymore). The best I can compare it to is that I was never that fond of Tolkien’s Elves – they just always seemed so uppity and (quite frankly) boring. Give me a battle sequence involving the handsome, rugged, mortal, fallible Men any day of the week. Or even the hobbits – with their cute little hobbit feet and constant questioning of their place in Middle Earth and their meaning to the Bigger Picture. Much more interesting.

Back to faeries - As faerie stories go, this one isn’t too bad. It helps that the main character, Tania (initially Anita), has spent the first sixteen years of her life as a human. She is then pulled into the realm of Faerie where she learns that she is the seventh daughter of King Oberon and Queen Titania (mad props for the use of everyone’s favorite Shakespearean mischief makers – though, they really aren’t that mischievous in this book. Sorry to disappoint you). Because she is the seventh daughter, Tania has the ability to travel back forth between the Mortal World and the Faerie Realm. And there’s some stuff about a prophecy and a reclusive older sister and the queen’s been presumed dead for five hundred years (which, coincidentally is the same amount of time Princess Tania has been missing in the mortal world).

If you’re looking for a light little fantasy story, this could be an option for you. There are six books in this series (and it has been finished). It wasn’t terribly gripping, but it was decent enough (the “thee” and “thou” and “mayhap” royal language the faeries used made my eyes gloss over a little bit and I missed important plot points, but that’s just me). And if you’re a fan of faerie stories, this would be a good one to add to your list.


"If we shadows have offended,
Think but this, and all is mended,
That you have but slumbered here
While these visions did appear."

  - opening of Puck's epilogue, "A Midsummer Night's Dream"

*The title of this post came from Shakespeare's "A Midsummer Night's Dream."  You didn't think I'd pass up the chance to quote from this play in a review, did you?*

Call-Back Review: "Angus, Thongs and Full-Frontal Snogging" by Louise Rennison

Note: This has been a really busy week between my new job and my internship that I didn't get a new review written (or posted on time either...)  So, I have some older reviews from my YA Lit class that I can post here, so here's something you may have read already - or you maybe you haven't. Either way - I'll get more new ones ready for next week. Enjoy.

Title: Angus, Thongs and Full-Frontal Snogging: Confessions of Georgia Nicolson
Author: Louise Rennison
Publisher:  HarperCollins Publishers
Date of Publication:  April 2001

Awards:

Nestlé Children's Book Prize (NOMINATED) 1999

Bluegrass Award (NOMINATED) 2002

Book Sense Book of the Year (NOMINATED) 2002

Evergreen Young Adult Book Award (NOMINATED) 2003

Garden State Teen Book Award (NOMINATED) 2003

Virginia Reader's Choice Awards (WON) 2003

Synopsis: (from Books in Print) -

Angus:
My mixed-breed cat, half domestic tabby, half Scottish wildcat. The size of a small Labrador, only mad.

Thongs:
Stupid underwear. What's the point of them, anyway? They just go up your bum, as far as I can tell.

Full-Frontal Snogging:
Kissing with all the trimmings, lip to lip, open mouth, tongues ... everything.

Her dad's got the mentality of a Teletubby (only not so developed). Her cat, Angus, is trying to eat the poodle next door. And her best friend thinks she looks like an alien -- just because she accidentally shaved off her eyebrows. Ergghhhlack. Still, add a little boy-stalking, teacher-baiting, and full-frontal snogging with a Sex God, and Georgia's year just might turn out to be the most fabbitty fab fab ever!

My Review:
I read this book per recommendations from my students.  I was a little wary because of the title (and other titles in the series), but I gave it a shot and I’m glad that I did (to be truthful, the title’s probably just for shock value).  This is a perfectly hilarious book poking fun at a typical teenage girl’s hopes and fears and all the drama that she gets pulled into (as teenage girls are wont to do).  The book is written as Georgia’s diary and she’s as honest as any girl would be if she knew nobody would ever read what she wrote.  There are so many funny parts, but I think my favorite is when she’s spying on a classmate and how horrified she is when she finds out what a thong really is.  Plus, I adore the wonderful “Britishisms” that pepper the narrative (there is a glossary at the back of the book – which is funny in its own right – for readers who don’t quite know what Georgia is referring to in some instances).

The only complaint I could really have is that it’s a little far-fetched to believe that a girl would have her diary on hand to detail every little stray thought every five minutes as though Georgia were on Twitter (some of the entries do that) – but it ultimately adds to the humor.  Since it’s written as Georgia’s diary, there isn’t much of a “plotline” other than following her through a school year, but that didn’t bother me.  It was nice to have a light, fluffy read after some of the heavier stuff I’ve been reading and I’d like to tackle the rest of the series.

Yes Virginia, You Can Have Character Focus in Dystopian Fiction

Title: The Roar
Author: Emma Clayton
Publisher: The Chicken House
Publication Date: April 1, 2009
Reading Level: Age 12 and up

Synopsis: (from Goodreads) - 
Mika and Ellie live in a future behind a wall: Solid concrete topped with high-voltage razor wire and guarded by a battalion of Ghengis Borgs, it was built to keep out the animals, because animals carry the plague. At least that's what Ellie, who was kidnapped as a child, has always been taught.

But when she comes to suspect the truth behind her captivity, she's ready to risk exposure to the elements and answer the call of the wild. Listen. Can you hear it? She's strapping on her headset, jumpstarting her Pod Fighter, and--with her capuchin monkey at her back--she's breaking out!


My Review: 
I have long since learned not to trust book summaries.  Either they will make a good story sound boring or an awful story sound intriguing.  Such is the case with "The Roar" - I would not have picked this one up had my supervisor not suggested it.


Also - speaking of unreliable summaries - this book is not about Ellie.  It's about her twin brother, Mika, who refuses to believe that Ellie is dead even though his parents, teachers and counselors tell him she is.  But Ellie comes up enough that this is not a deal-breaker for me.


(Suggestion to publishers - WRITE BETTER SUMMARIES!)


The world Emma Clayton has created for her characters is both fascinating and terrifying.  It is a world where everyone has to take what the government says at face value because there simply isn't any other source.  They are told that they must stay behind The Wall surrounding the country because of a devastating Animal Plague that nearly wiped out all of humanity.  The poor people are packed into tiny fold-out apartments and are given glorified mold to eat.  The children are given "Fit Mix," which they are told will give them the necessary nutrition, but it actually turns out to be something more sinister.  Mika's the only one who questions anything this government tells him, to his detriment, but he also succeeds at the beating the government at its own game (and I'm not talking about the arcade game that gets the whole plot in motion).  The moment when Mika discovers the government's BIG SECRET is so satisfying that I didn't care that I had pretty much called it at the start of the book.


This is one book I actually don't want to spoil too much, though it isn't hard to guess where it's going to end up.  That doesn't necessarily make it an inferior story.  Far from it, actually.  "The Roar" is a fast-paced, in-the-moment, intriguing and enjoyable read.  The main thing about this was that it was so focused on the characters and how they responded to their situation and didn't focus so much on the situation came to be (which is how dystopian fiction ought to be - I'm lookin' at you "Uglies").


There is a sequel (which, after that ending, there'd better be) - "The Whisper" is slated to be published in the United States this fall.